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C
is for Crumar |
The
Crumar Stratus... |
(oh,
and Trilogy too!) |
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The
Stratus is a two oscillator "divider" type
"Multi-Keyboard" with polysynth and four footage organ
section. The tone generation is totally polyphonic,
however there are only six VCF / EG / VCA boards (Curtis
Electro Music CEM3320 VCF, CEM3310 EG, CEM3330 Dual VCA) ,
so these are allocated certain groups of keys. Due to the
tone-divider system the overall sound is somewhat
"organ-ish" which is to be expected really! The hype
from the UK dealers Chase Music was considerable and not
entirely correct either! The sections in red*
below are the anomalies, as the machine has only polysynth
and organ sections, not the string section which was
featured on the Trilogy. |
Transcription from advert appearing in
1983:
"The Crumar Stratus
is the first polyphonic synthesiser that satisfies the
needs of both the creative synthesist and the
multi-keyboard player. It offers a powerful array of
sound from the explosive to the expressive. And yet the
majority of the control comes from the keys you play,
not the dials you turn. The heart of the outstanding
versatility is found in the six actively engaged Filters
and Envelopes that span the keyboard. These generate
true polyphonic capability, letting you depress as many
keys simultaneously as you want. Most polyphonic
synthesisers are limited to their five or six voice
capability. Go beyond that and notes drop out. The
Stratus also features unique trigger modes (both
Multiple and Mono) which allow you to turn on the
Oscillator Glide, reset the LFO delay and alternate
between sawtooth and square waves all directly from the
keyboard. You can retrigger a particular effect
whenevera new note is played, even though other keys are
depressed. With most other polysynths you can only play
one sound at a time, but with the Stratus you can play 3 separate sounds simultaineously * from
the polysynth section, organ section and string
section* for multilayering effects. There are
other noteworthy qualities to the Stratus like the two
independant oscillators, continuously variable and
invertable envelopes and polyphonic resonances. But we
suggest you experience this 'synful sound for youself at
Chas. Its a devilishly exciting way to burn up a stage."
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